Buh. Dry stuff, and not much that I haven't encountered before.
Grading these revolutionary, historic writings with a 5-star rating system seems like sacrilege. But my rating is just my reaction overall, and not a measure of the importance or impact of the work itself.
I listened to this as an audiobook, with additional history and commentary interspersed to put things into historical context (which I'm sure Marx would've appreciated). However, I could've done without the fake German accent that all of Marx's writings were narrated in.
I got about a third of the way through the book, and then I had to return it to the library (somebody else had requested it, so I couldn't renew). And honestly, that's enough for me. I'll probably go back to it someday, but I got what I wanted from it: a better understanding of the early days of comics, and their role in the culture of their time.
The writing is excellent, and flows very naturally and even poetically at times. I've got no complaints.
I've seen plenty of people complaining about Smith's Batman comics, but I just don't see the problem. Yes, he has a few too many sex jokes in there (which his editors at DC should have taken care of) but the stories he tell are always clever, engaging, and fun. And this book is great for anyone, no matter how familiar they are with Batman's lore. Even obscure characters (like Maxie Zeus) are given good, what-you-need-to-know introductions, and treated with respect.
What's even more confusing to me is the backlash against Flanagan's artwork. Personally, I think that's just the internet fanboy rage machine working itself into overdrive, as it so often does. Flanagan's style is a bit different from other artists - of course. His artwork fits the subject matter very well, and it's always easy to tell what's going on in each frame. The inkers and colorists did a great job too.
For a late-80's comic book series, this stuff is surprisingly modern. It's not cheesy or goofy at all - in fact, it's very "adult", more like comics of the past decade than comics of the 80's.
I'm still amazed that Batwoman is both an interesting character AND possibly has the best Batman-related comic on the shelf these days.
The artwork is probably the best I've ever seen in a comic. Even the panel layout is amazingly artistic, although it can sometimes be a bit confusing.
Full of 90's comic cheesiness, but it's a fairly fun read. The concept is probably better than the execution though - I would love to see this story fleshed out more, and not so rushed.
It's been 11 months since I last picked up this book, so I think it's safe to say that I'm done with it. I got halfway through, and I really didn't care for it. The writing style didn't appeal to me, and not much happened in the first half. I've heard that the second half is better than the first, so maybe I'll get back to it someday. Or maybe I'll just wait for someone to make it into a movie.
Maybe this is one of those books that had some revolutionary ideas when it was first published, but those ideas have since been absorbed into the greater sci-fi culture. It may have raised the genre up to a greater level, but the problem with being a foundational work is that, inevitably, other works will be placed on top of you.
A great book examining how easily our minds can be deceived and manipulated.
This gets you into the mind of Lex Luthor, and gives you amazing insight into why he does what he does, and why he hates Superman so much, and what he's willing to do to stop him. You see the whole world through Luthor's eyes, with Metropolis appearing as a shining city full of promise, and Superman appearing as a dark threat with glowing red eyes.
I have no idea why the Batman stuff was in there, and there seems to be no explanation for why Superman would attack Batman (if he did at all). But the rest was great.
Green Arrow books are often hit-and-miss, but this is definitely hit. My main familiarity with the character is from the Justice League animated series, and this carries on in that show's tradition (or maybe the show took its cues from this book; I don't remember which came first).
You have to be slightly familiar with the character's backstory to get the most out of this (it opens with everyone shocked that Oliver is alive, after they all saw him die) but you don't need much more than a 10-minute Wikipedia introduction to pick up on the essentials.
Well, my work here is done. I’ve read and reviewed every single #1 issue in DC’s New 52 relaunch. It took me a lot longer than I anticipated, and it was much more difficult than I thought it would be, but here we are.
Let’s just say the word we’re all thinking right now: Twilight. There it is.
There’s not much I can say about this that I didn’t already say in my Legion Lost review. Rather than being a reboot like many of the other books in the New 52, this is a direct continuation of the LoS series, with all of its long and convoluted history seemingly intact.
Like the new Men of War series, this seems to be taking an old, outdated concept and reworking it to be relevant to today’s audiences. I wish I could tell you more.
Like all the other New 52 team-up books, this one focuses on assembling the team. Leading the team is Red Robin (formerly Robin #3), and he sets out to recruit other young people with superpowers, some of whom seem to be accidentally causing trouble (like Kid Flash).